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5 Albums I Can’t Live Without: Liam Hao from Sneaker Pimps


Name Liam Hao

Known for the best I am best known for my extensive pencil collection. When I work with an artist I often give them a pencil gift: Lana del Rey is one of my Blackwing 602s. Being a founding member of Trip Hoppers Sneaker Pimps also brings some welcome notoriety.

The current city London (Hackney)

Really want to stay I really want to stay at Muro Lexis. It is a sleeping small town in Puglia, southern Italy. When you come to Muro you will feel like you are behind in time. It came straight out of the 1950s Italian Arthus movie: beautiful tall churches and lots of silent piazzas. On ancient streets, farmers sell their handicrafts from behind three-wheeler vans. Locals are buzzing across the city in dusty old Cincinnati. Lots of creative people have moved in there over the last decade, and it’s becoming quite an “artist” community. Especially in the long dry summer. I feel part of this unprecedented little scene when I’m there. It’s sometimes a great antidote to London’s music world.

Surprisingly, the local instrument of choice is the humble dam. Musicians spend it perfecting the art of playing. Much poorer regions than the rich north, histor historically and to this day, musicians make their favorite dams from olive pods and bottles. They call them The violin of the poor– Poor man’s violin. Each band should have one. I do.

Excited about I’m thrilled to be able to release the fourth sneaker Pimps record. It’s been a staggering 18 years since the last record Blood game. The album is called Circle Square, Which is a reference to a time-honored mathematical confusion, but a statement that implies impossible achievement. And when it finally comes to completing it, it looks like we did just that.

I have a lot in my current music collection I’ve been listening to a geographically different piece of folk-influenced music since the 70s. The last of my turntables were: All-English band Pentangel, Canadian singer-songwriter Ellen McIlwain, Native American Buffy St. Mary, Chicago-born gorgeous Terry Collier, Brazil’s ever-smiling Sergio Mendes and the often neglected Tim. Got better than Jeff). And it’s just America and the United Kingdom.

And a little I have an interest in secret electronic music. Strangers are so good. I really like the new Coreless album Open.

Don’t judge me Lionel Richie owns the album Cant slow down. “All Night Long” is a great composition and when I used to do a lot of DJs in the 90’s I always called it the ultimate sad-we-party-party-all-you-have-to-go-home-now song. Somehow it’s great life-sure.

Format of choice Vinyl is my favorite format so far. I didn’t have a turntable when I grew up, so I listened to cassettes. But as soon as I enter dance music, vinyl becomes an obsession. On John Peel’s radio show I heard a remix of Andy Wether’s St. Etienne’s “Only Love Can Break Your Heart” and only had to buy 12. I was a poor art student at the time and I blew my whole student loan into a pair of Techniques 1210 so I could play it. Since then I’ve collected thousands of records, mainly from charities / thrift stores around the world (a great time when you’re on the street). I recently bought myself a very fancy Linn Sondek SP12 player. But secretly I still like the old technique despite the dominance of streaming and single culture the format of the album is still really important to me. Thus, vinyl helps to restore its importance. Without albums – if artists just release one endless hit – we won’t get unique creative time in their careers. There will be no Thin White Duke or Gigi Stardust, just a bunch of popular releases. We will only be Bowie’s best hits. And it won’t be sad. All this said, streaming is not so bloody good.

5 Albums I Can’t Live Without:

D

Bright trees

David Sylvian

When I was 13 years old, I really joined a Japanese band through a live album that my brother played me: Oil on canvas. It was released after their separation, so I really missed the boat but hearing it gave me a feeling of spooky nostalgia. I started following David Sylvian. It was his first solo release Bright treesIn 1984. It blew me away. This was my first encounter with guitar and jazz and real musicians as I was mainly a fan of electronic music at the time (craftwork, depot mode). I didn’t know how to process it at first but soon I was tempted by it and the cassette was played until it was worn out (I literally made a second copy). It was only a few years later that I met Chris Corner (another sneaker pump). He was the brother of my first girlfriend. We are completely bound by this record and Sylvian’s second Bee privacy. When I met Chris, I taught him some basic guitar sounds. But very quickly he overtook me and was able to play all the Sylvian tracks we know. It is not only the music that has influenced us but also the lyric method.

2

Stevie Wonder’s journey through “The Secret Life of the Tree”

Stevie Wonder

In the early 90’s when I was expanding my record collection due to fever (I was desperate to be a DJ), I found this record at 50 pence (40 cents) in charity. Growing up in the 1980s, I thought Steve Wonder was the only person who sang the song “I just said I love you,” which was a bit unsettling to a teenager. This record belongs to Mr. Wonder corrected my confused opinion. Getting it at home I played around was absolutely mesmerized. It’s actually a journey. It is an ambitious record, set as the soundtrack to a pseudo-scientific documentary about the power of plants. It was a basic idea at the time that should be tried and musically filmed content that was apparently translated into pop songs. The record scared a lot of his fans in the wrong way. It was far from its previous release, super successful Song is the key to life. But his followers didn’t have to worry for too long as he returned with his biggest record (UK). Hotter than July.

I know Journey.Not as basic as that Inner vision(Which I love very much) But it was my fist Stevie and the first one was always special.

3

Walking on the roof

Blue blue

We were pretty innocent when Sneaker Pimps started traveling. Some of us were fresh out of art school and thought we knew every important record we made. It was far from over – there is always new music to discover. We checked before our live sound engineer calibrated the PA at the scene using a trusted CD at the time. This is Blue Blue’s case Walking on the roof. Arguably, he said it was the best engineered / best sounding record ever made. At first, I didn’t know what to make of it, because it wasn’t brooding and beat-driven (like the music we all hear on the tour bus) but instead it’s an intelligent, thoughtful record, deeply honest and unexpectedly emotional since I fell in love with the original People have become great friends with Paul Buchanan and we have been threatening to cooperate for many years. Hopefully, it will happen one day.

4

Music for people in trouble

Susan Sundarfer

I was watching a tribute concert for the wonderful Scott Walker and Susan Sandfar and stole the show altogether. It really put Sundarfar back on my music radar. He was released a few months later Music for people in trouble And I was instantly hurt. Unlike his previous synth-pop record, this album is a fragile and underestimated folk masterpiece. The songs seem to be deeply captivating and directly connected to the soul (not that he or I believe in the soul). She was a bit upset after her previous album and in her response she wrote this record as a proposal for those who are struggling to cope emotionally. Similarly, I am prone to emotional turmoil and this record has really helped me through some difficult times. So, keep this record if you have problems.

Also, none of the Carl Heinz Stockhausen specimens are my friends.

5

Blonde

Frank Ocean

I’m always listening and creating new songs (writing and producing with FKA Twigs has been a high point), and I’ve broken into many modern records for this last slot. However, Frank Ocean’s though BlondeFive years old, it’s still as fresh as a daisy. It certainly deserves to be in my top five. My teenage girls played Orange ChannelSo I was already a super fan when Blond came out for Death. Not only that Blonde A modern touchstone for R&B excellence, it has many personal memories for me. It gets out of my car and sees my kids grow up. It’s full of the best kind of nostalgia, the kind that can be sad but still make you happy.



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