CONCERT

Biffy Clyro survived the lockdown by writing a new album


Is mankind rushing toward its unpleasant consequences, such as lemming too much on top of a mountain? Simon Neal is sure he saw the conversation signs. And on the gallows, ridiculous Biffy Claro Anchor is not afraid to cover the issue of extinction in his new album with the wonder of his trio, Lockdown-Sculpture, The Myth of the Happy Ever After. Without apologizing, it opens up on Boris Johnson’s anti-Salvo “Dum Dum” (which accuses the British Prime Minister of wanting to keep the body at his Downing Street door rather than impose another lockdown) Speed-Bag-Punchi “Witch’s” Cups (“I hope when we go / where there’s something deeper”), dissatisfied “errors in God’s history” (“We’re trolling the universe / just happy to light a torch”), and a funeral-parlor etherial “exist “I kiss the concrete, I try to be one with the asphalt,” said the Scottish singer before he finally decided, “We can be better.”

In our current climate-change crisis, can we really do or die in this 11-hour moment? Neil doesn’t think so and cites the Netflix series as another example of ubiquitous popularity Squid game, Which puts hundreds of cash-strapped contestants pitted against each other in a blood-soaked update of dystopian Japanese masterpieces Battle Royale.

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“We’re almost there in real life – in the society we live in right now, we’re almost at the ‘battle royal’ level,” sighed Neil, 42, one of Rockdum’s deepest thinkers.

Don’t even start him The Forever Purge, Cinematic New Fifth Entry Purify Series, where gun-crazy right-wingers prefer to continue annually Purify The dawn of the impure race and the poor way past. E.g., forever. “I saw it last week, and when I thought, ‘Let’s not give them any idea!’,” He coughed nervously. “And it’s worrying because it’s getting closer. When I’m sure The Purge The first start, the first movie, it was quite far from what we thought could be reality. And now we’re here, 15 years later, and we feel much closer to the world we live in. “

These thoughts, and many more, pinballed the vocalist / guitarist’s brain throughout the epidemic, as he and his 13-year-old wife, Francesca Pieroni, took refuge in the place.

First, leaving Biffy Claro’s Bomastic 2020 Salvo, The closing is a celebration, Will not go on a world tour anytime soon, Neil adapts well to the lockdown, Johnny is streaming live concerts from his home every Friday night. But he was in the mood for “undeniable,” “individual missions” and optimistic counter-entries like “Slurpy Slurpy Sleep Sleep” near an AI-robotic, composing so many apocalyptic elements that he was finally forced to record the price of an entire album. Longtime Biffy Claro brothers James and Ben Johnston are on bass and drums, respectively. “And I don’t want to sound like some happy idealist knot,” Neil says. “But the last lyric of this album is‘ Love Everyone ’, where the last song Celebration There was ‘fuck everyone!’ ”He added, adding that priorities can’t help but change over time.

(Credit: Kevin J. Thomson)

Spin: Your album tells its own dystopian story, song through song, right? So tracklisting seems to be really important here.
Simon Neal: It was so hard to process what was happening last year. But over the years, I’ve found that the best way to process anything I’m going through is music, because it lets me understand how I’m feeling at a particular time. So this album was an unintentional album. We were expecting a tour (back) The closing is a celebration, But obviously the situation puts a kibbutz on him. And I think everyone in the world has lost a sense of purpose, but especially when you’re in a band that has been on the road for 20 years, we’re in a rhythm and in a routine that has been our life for so long, ever since we were 18 years old. So tearing up your identity and everything is really weird, and in the end I found the only thing to heal it, writing music and recording with Ben and James. This is the only thing we have felt that we have control over and that is something that implies a bond with the pre-epidemic period. We got a real security there. So every day I would play the guitar or play the piano, and a new song or a political idea would come out. So this album is really a reaction of the last 18 months, and the songs were still evolving while we were recording them. And yes, tracklisting is important, because that’s the journey, that’s the adventure, we’re inviting people on this kind of journey. And they definitely like the ribbon in the well.

Who is the song you are singing “Unknown Male 01”?
One of our best friends was Scott Hutchison of the Frightened Rabbit (who went missing in Scotland on 9 May; his body was found a day later), and what a spirit he was, what a poet and what a genius. He was someone we had known for about 15 years and I was a big fan of his work. So I wasn’t intentionally trying to write a song about trying to help someone in their dark moment – that song came out. But I wish I could help Scott. If only I could be there for her in her darkest time. But it’s just that when you feel a sense of frustration, it can be really hard to get out of it. So the type of song addresses it, and how it’s a constant battle, and even how you can appreciate and think that their whole lives are still struggling with things.

Have you ever dealt with that dark depth of despair?
Yes. There were different points in my life where I think if I couldn’t express myself through music, I don’t think I had the ability to express them as a human being. And sometimes there’s a moment when you’re down when you don’t want to give your darkness to someone else – you don’t want to bring them down into your headspace. So music has saved me a lot. Full disclosure? I take medication and everything to help maintain balance, and I think I’m one of those people who is always up and down I think there are a lot of people and it Is An endless battle. But what full immersion goes into the song without that expression of art and creativity, and that kind of immersion in the song? What it really gives me strength. And then the end of the circle for me is if we play the song live, and I can see someone in the crowd singing, and I can say that they mean every word. I think it was a shared experience at the time.

Returning to the frightened rabbit for a minute, “myth” ballads like “Holy Water” and “Error in God’s History” make one thing clear – both you and Hutchison were genuinely gifted with pure traditional folk-folk songs. Which fans will never suspect from a thrasher like “Dinner”.
Okay, I played the violin on the Scottish Silid band, and you just grew up with Scottish folk music in your DNA, from the moment you first came out on the eve of Christmas and New Year, which we call Hagman. There are sealed bands everywhere then all the time, and there are sealed bands at weddings and everything, and those traditional ones just enter your soul, whether you like it or not. There is a terrible lot of sadness and longing in Celtic folk music and I think there are similarities between many Scottish bands. So when I started playing the violin or violin when I was four years old, and I played it for about eight years. And then I discovered the guitar and left the violin in that attic to fuck!

Surreal finale track, “Slurpy Slurry Slip Slip,” sounds like Neil Young Trans Outtech
Yes! Good reference, brother! It was such a divisive album when it came out, but I always liked the fact that Neil Young never gave a damn about what anyone thought. So it was provocative, in the best way possible. And I wanted “Slurpy Slurpy Sleep Sleep” to be a provocative song, a song that takes a little perseverance. And the nonstop throb of that song is a lot like the non-stop throb of life and trying to pull what you can from it by focusing as much as possible on the things that really matter.



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