Cannes Report – Projection and Reflection in Croeset – VIFF Blog

By Morgan Gaberu

Benedetta: It was rampant last week in Croydon, where perennial bad boy and octogenarian Dutch director Paul Verhoeven (Robocop, Basic instinct) It crank back up some more grooves. It’s hard to know what to say about it Benedetta. Controversially prophetic, the opening work enters the realm of the Camp B-movie and then quietly moves from irrational eye candy to destructive and original social history. Both love and hate, one thing is for sure: Verhoeven still knows how to push the buttons.

Breathing with his last journey in 2016, She, Benedetta Plague-ride is set to 17MThe century-old Tuscan city of Pescara, where very young Benedetta Carlini joined a convent and quickly began her miraculous work. Virgin Ephera starring, Benedetta A sexy, blood-soaked surge of church classification, prejudice, social chaos, political lust and violence. Benedetta provides the sanctuary with a newly arrived and abused homeless woman and has no hesitation in disobeying her sister’s orders by wandering around. If titling, historical historical body-ripper is your thing with a semi-intellectual cover, it might be right up your alley.

The worst person in the world: On the other hand, if a contemporary drama with a strong-willed, but selfish and insecure female protagonist is to rule the roast this year, Joachim Trier’s third installment Oslo The trilogy is certainly a rival to Palme d’Or. In this kind of refreshing au daring romance, Julie was a 30 year old woman whose life was hard to find her place. A hyper-intelligent medical student and Wanabe photographer who works in a bookstore, Julie meets 45-year-old outspoken and controversial cartoonist Axel and moves on. Unsettled and impatient between himself and his relationship, Julie Axel leaves the latest book launch. While wandering aimlessly through the streets of Oslo, he crashes a wedding party, where he meets Hongkalius (and married) Ivind. Their chemistry is instantaneous, sharing animal-like intimacy without succumbing to “deception”. Julie is a serious but intelligent intellectual, perplexed by ubiquitous social media – in the episodes she deals with life, to meet her own bizarre and misguided tendencies. Exploring the themes of freedom, commitment, aspiration and loyalty, The worst person in the world Top candidate for an English version remake.

Flag Day: Based on a true story, Minnesota-set (and Manitoba-shot) Flag Day Memoirs of actor / director Shawn Penn’s drifter and gripper John Vogel with his dysfunctional family and, in particular, with his daughter Jennifer, played Penn’s real-life daughter Dylan. As a child, Jennifer was amazed at her father’s magnetism and ability to make life a great adventure. Moments of careless love and joy finally give way and reveal his secret life as a bank robber and fraudster. Jennifer struggles to heal wounds from her past, when her relationship with her pathological liar and obedient Con Man father is rebuilt. Penn’s performance is compelling, and he has maintained his coverage as one of America’s leading actors. However, like John Vogel, Penn fails to gain anti-hero sympathy, while Jennifer (Dylan) succeeds in her ineffective and incomplete upbringing.

Blue wind: Blue wind A timely and heartbreaking story about immigration, identity, and family. Writer-director-actor Justin Chon (Guck, Mrs. PurpleThe tattoo artist and dedicated family man plays Antonio LeBlanc, trying to build a better life for his pregnant wife Cathy (Alicia Vikander) and his restless honest daughter Jesse in New Orleans. A former con of the checked past, money is always tough for Antonio, especially with a new baby on the way. Complicating matters is Kathy’s ex, S, a Louisiana policeman who wants to play a bigger role in Jesse’s life even after abandoning the girl and her mother a few years ago. When a family quarrel unexpectedly leads to a grocery store conflict with Ace, Antonio is arrested and transferred to the custody of Immigration and Customs Enforcement (ICE). Despite being brought to the United States at the age of three, the Korean-American adopter য who is married to an American citizen হঠাৎ suddenly faces deportation from the only country he has ever known as home. Stuck in a waking nightmare, Antonio and Cathy sought legal help to fight the deportation order, only to discover that they had valuable hope of keeping their family together. Convinced to be with his loved ones, the increasingly frustrated Antonio is forced to deal with his past, going to America for longer.

French dispatch: Wes Anderson fans will not be disappointed, although I was a bit. French dispatch It is a tribute to the literary magazine, where we find ourselves in Ennue-sur-Blas, France, through the Liberty Mecca publication in Kansas. A smooth mix of French and English, anything and everything is lost in translation. An irrational adventure in the existential editorial-issue, the tableau aesthetic feature of Anderson’s trademark graphic novel is one of the most powerful costume artists in recent memory, as are Leah Sidox, Benicio del Toro, Adrian Brody and Tilda Suitron, and others like Tilda Suitron.

Despite the captivating set and the picturesque scenery, confusion reigns in this tension but sometimes confusing and confusing stories of artists and intellectuals. Although extremely tempting, this repetition doesn’t seem to pack the same laugh-out loud punch Grand Budapest Hotel Or Dog Island. I like Anderson’s films in all their madcap tracking shots and sliding set choreography, but I’m more passionate Royal Tenenbaums Or Darjeeling Limited. Everything is delivered and managed in an imitative fashion, yet somehow, the whole seems less than the sum of its parts.

Drive my car: After winning the Silver Bear at Berlin this year The wheel of fortune and imagination, Japanese director Ryasuk Hamaguchi returns to his ears with his Haruki Murakami-inspired Drive my car In competition. Having garnered rave reviews from top critics, Hamaguchi is a serious contender for Palme d’Or.

Stage actor and director Yusuke Kafuku happily married Oto, a screenwriter. However, Auto died suddenly, leaving a secret. Two years later, Yusuk, still unable to bear the loss of his wife, received an offer to conduct a play at a drama festival and moved to Hiroshima. There, he meets Misaki, an innocent woman hired to be his driver. When they spend time together, Yusuk confronts his wife with the mystery that keeps her quiet.

Shorts: In the often-overlooked “Still to See” section, the Semaine de la Critique competitive shorts program premieres Sunday. Lily alone Zhu Jing, a Shanghai and Los Angeles-based director, describes in detail the cool dealings in the life of a rural young woman who moved to the city and was forced to become a surrogate mother in the end. It is a destructive allegation of contemporary Chinese society and the ruthless capitalist policy of human trafficking.

30 years later – JFK Review: Through Looking Glass: Thirty years after his film JFK, Whose director’s cut also appeared in the Cinema de la Pledge this week, Oliver Stone’s new documentary updates the story of the murder with recently announced files. There are two- and four-hour versions here, although only the former appeared here by ear. Described by Hoopi Goldberg and Donald Sutherland, ians reconsider the historical and witness interviews, as well as the interviews with medical, forensic and ballistic experts, to reconsider the strong evidence that Stone was America’s biggest murder mystery and a conspiratorial conspiracy. The film combines theory and evidence that U.S. intelligence agencies created and manipulated conditions to remove and ensure Kennedy was under threat. The first half basically reviews the known information and strengthens the arguments; But it really goes a long way when Kennedy goes deeper into the “why” of the assassination. The extent of the organization’s desire to keep the military industrial complex afloat by removing Kennedy has been explored with a geopolitical and social impact perspective. In other words, the claimed pacifists do not finance the war. Stone said on the red carpet: “By noon, they had blown his brain out in front of the whole public. That was a very big message.”

30 years later – Veronica’s dual life: Tempt me for a moment, if you will. I first joined the Festival de Cannes in 1991. Although I had a weird film job until then, it was a quantum immersion in the world film industry. With bright sunshine, super creative artists, and wonderful movies, the place is material and trivial. I was a gonar.

One of the films in the competition that year was Krzysztof Kieślowski’s Veronica’s dual life Starring Erin Jacob, who won the Best Actor award for her performance. Before seeing the picture, I was living in Paris, and in the autumn of 1990, following the fall of the Berlin Wall, I toured Western and Eastern Europe, including the city of Krakow, Poland, where the picture was set alongside Paris.

Veronica’s dual lifeUninterrupted confrontation, vague motivation, saturated earthy tones and dank is a masterpiece of European suffering. Veronica lives in Krakow and Veronica lives in Paris. They don’t know each other but they have parallel lives that are mysteriously interconnected. Naturally gifted, Veronica gets a place in a music school, works hard, falls in love and tragically breaks down during her first performance and dies on stage. At this point, Veronica’s life in Paris is similarly pivot, without logic, a dreamy one, raising awareness of the briefness and uncertainty of life.

The Cinemathec franchise is gearing up for a full-fledged Kislowski preview this fall.

Morgan Gabero is a writer and filmmaker based in London and Vancouver.

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