Tom Morello, Nandi Bushel at the New Atlas Underground

It all started in a cemetery.

Starting in 2014, Tom Morello met Bruce Springsteen’s Africa / South Pacific tour for the E Street band for Stevie Van Zandt. On an overnight vacation in Perth, Morello visits the hotel to pay his respects to the late AC / DC singer Bon Scott. When he returned to the hotel, he saw Morello Springsteen sitting at the bar, so he asked the boss if he thought the AC / DC and E Street bands had overlapped.

“I’ve never really thought about it before, but tonight I’ll think about it,” Morelo recalled. ”

Soon after, Morello’s suggestion was linked to the band’s sound check, with the group rehearsing “Highway to Hell.” A few weeks later he quickly proceeded to a Melbourne show, where Eddie Vedder of Pearl Jam was present. All parties concerned agreed that the tribute would be a great way to open the event, so they did.

“If you think you’ve seen a crowd go crazy, you haven’t seen the Australian crowd be surprised to be overwhelmed by the singing of their favorite artist, Bruce Springsteen, their favorite band, AC / DC, Eddie Vedder,” Morelo said.

That moment became a spark of inspiration, but it took years and epidemics to make Morelo.

When Covid was hit six years later, Morelo (like everyone else) had to figure out how to spend time in the lockdown. The first four months, in particular, he said, were “really disappointing.” This is the first time since the age of 17 that Morello has not played a song, either on recording or on tour. Add his 98-year-old mother and 0-year-old mother-in-law to his family while his 10-year-old son played the role of a plumber, window-fixer, teacher (who learned to play the lead geppelin song) and a caretaker. It was a very busy time in the Morelo family.

But the legendary guitarist and lyricist drew inspiration from an unexpected source.

“I threw my hat in the crazy old Canyon West because if I couldn’t record on my phone, I didn’t know what I would do,” he said from his home office via Zoom. With traditional theatrical studio work often relying on insights instead of extra thought (“the microphone is like thinking in the wrong place”), he set to work.

The first thing Morelo recorded was the reefs he sent to the bloody beetroots. Twenty minutes later, he got a video on it, which he said was “awesome”.

“I was, ‘OK, hold on, hold on. It may not be the end, and I can still be a musician, ”he said with a smile.

Inspired by his new invention of recording and sending music from his iPhone, Morello zaps music around the world and lists artists far and wide for what his new album will be, Atlas underground fire. For the ignorant, Atlas Underground Morelo is seen collaborating with other artists who appear on solo songs, giving the project a varied, eclectic environment – an accurate portrayal of the guitarist’s personal preferences.

Morello’s central thesis is that the future of electric guitar is not just in the past – and it is reflected in the wide range and style of his songs. At a time when almost everyone was isolated, Morelo wanted a connection that went beyond his four walls. Instead of having a broad theme, the album was “a way to be really honest” for Morelo.

So what was the main song of the upcoming collection? Going back to the days of that e-band with the cover of “Highway to Hell”.

“I wanted to do a song with my Rock Bros.,” he says. “I remember that moment and wanted to see if we could catch some lightning in that bottle. Bruce sounds like the cursed king of rock and roll in this song! He’s 72, and he attacked it and took two, and we’re done – and It’s only a matter of time. “

As much as he enjoys recording and acting, Morelo likes to be a curator and this album is a snapshot of his mentality. In addition to his longtime friends, Pebble-voiced country singer Chris Stapleton, British hard rockers Bring Me the Horizon, indie-pop duo Phantogram, Dennis Lexon of Refuge and Sama Abdulhadi all joined in one or the other. Not to mention the work that Morelo has done with Pussy Riot and Bloody Beatroots.

Surprisingly, there would be no Morelo project without it Something The political song, which he did with his grandson and Damien Marley, although both had the idea of ​​collaboration before the epidemic. However, Morelo did not want to box himself out by pursuing a strictly political path, especially at a time when people are focused on their families and concerns.

“To connect a record, I think it has to be authentic,” he says. “It simply came to our notice then. It was like, ‘Can I do this until Thursday and keep everyone alive until Thursday? Keep kids from going crazy until Thursday? ‘And so the instruments are an important statement in this record. It’s a claim that yes, I survive as a musician. And yes, Kikas will be playing the guitar in the most horrible situations.

To keep his mind and creativity going, Morelo would send “Sonic Miscellaneous” five days a week to all kinds of artists. Didn’t do anything like Babymetal – but the music ended elsewhere. If nothing else, Morelo learned an important lesson: “As long as I get a phone charger, I can now record anywhere.”

Recording from a distance is not limited to Morelo’s own work. During the epidemic, he tracked a song with Metallic’s Kirk Hammet and Rush’s Alex Lifson, for the next swan song with local and former Styx singer Dennis de Young of Illinois, and one of the first musicians to coincide with the now 11-year-old Nandi Bushel.

Subsequent correspondence, which included sending one of his guitars to Morello Bushel, has since expanded. The multi-instrumentalist extraordinary য who served “Everlong” in the drums with Fu Fighters in August সাথে is teaming up with Morelo’s son Roman on a track that Morelo has created himself. Bushell’s manager reached out to Morello and asked if he wanted to do a song with her, to which he replied that he also had a baby under his roof that could tear, so they wrote a cut together. (It was released last Friday.)

“It’s a Kikas jam that they didn’t and did at the age of ten,” he says of it. “And the future [of rock] Can be very well protected. As for Bushel in particular, Morello said, “He is so great and has such a provocative attitude. It’s really great to talk about living by the Holy Spirit of rock and roll and combining sacrifice and ambition at such a young age. ”

For his next work after the lockdown, Morelo has a simple plan – which will probably excite long-term fans.

“I just want to play some rage against the machine in the stadium.”

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